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canon c500 mark ii dynamic range test

In September we published our lab results of the Canon C300 Mark II dynamic range. It’s frustrating to have what would otherwise be the right camera for my needs hobbled by the use of EF or PL mounts rather than the much more versatile and future-proof RF mount. Read on …. carlosq00. Canon also doesn’t let you control the focusing motors in their own lenses. Hi guys,I agree with Rick Leads; getting lab results from both the original Alexa Mini (S35) and the Alexa LF would make all your other camera tests so much more useful. Lens. Each pair represents 3.33ms. Will it take the crown in our lab tests? However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. 60% luma value on the waveform monitor, the white sheet of paper below the color checker comes in at around 65%. Let us know in the comments below. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Can you please test the Panasonic EVA1, too? Surprisingly good however. SIGMA fp), while for instance the Panasonic S1H falls around 25ms. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range content by reading out … It depends on the lenses you are going to use it with. Now you may ask why I have not used the internal 6K RAW (5952×3140) to test the dynamic range? A database of all tests will be available, we are still working on this. Canon EOS C500 Mark II | Caméscope | Retrouvez toutes nos publications, meilleurs prix et bons plans, avis et actualités sur ce modèle. Sony registered two new cameras at the FCC: New A9III and A7IV??? 15:37. Exceptions so far: BMPCC6K using BRAW 3:1 and Panasonic S1 (using ProRes HQ via an external recorder) which retain a usable image at 4 stops under. DIGIC DV7. 8: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. The waveform of the Xyla21 stepchart confirms this: Fig. 1: IMATEST dynamic range result for the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800. Please have a look at how we test dynamic range of cameras here. The new Tamron 17-70mm f/2.8 E-mount lens will be announced tomorrow! Enregistrement Cinema RAW Light 5,9K interne. Hence, the dynamic range results from IMATEST are lower – indicating a rather “untouched” image by any in-camera processing. More or less the same holds true for the image in figure 6: at 4 stops under, pushed back to zero the image is still quite usable. 2019 has been a quiet year for Canon’s Cinema EOS lineup, with only the announcement of the long-awaited Cinema EOS C500 Mark II. Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter April 15 th, 2020 fiber_manual_recordGunther Machu 30. To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for HDR recording and low noise. EF to PL mount (PM-V1) 3. Thanks!! The EOS C500 Mark II features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. Test Canon EOS C100 Mark II Par Arthur Azoulay , Focus Numérique ( @Lesnums ) Publié le 08/04/15 à 10h28 Mis à jour le 08/04/15 à 10h28 And got the same result as with other recent raw cameras before: using plain raw without any postprocessing, the images are very noisy. Caractéristiques. Higher res would be useful for stability options in post and always wanting for better dynamic resolution. The Canon C300 Mark II is here and comes with a lot of high expectations by customers and a hefty price tag of $16,000. Fascinated by the new possibilities with small cameras. From the tests, it looks like the C300 Mark II is achieving that extra dynamic range by giving you extra stops in the shadows and mids. Most cameras break apart at 3 to 4 stops underexposure. Is there a database for all your results? 2: Waveform plot of the Xyla21 stepchart from the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 – about 13 stops can be identified above the noise floor! The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. Canon EOS C500 Mark II. The Canon C500 Mark IIis definitely more expensive on paper. We only send updates about our most relevant articles. No spam, guaranteed! Fig. Enregistrement interne jusqu'à 810 Mbit/s . While technically there from a dynamic range standpoint, it would not be a useful for photography. This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. Dear Pablo, no, we have not tested this camera yet. So without further delay lets jump right into the lab test …. Fig. How Image Engineering Tests for Dynamic Range. This gives a base exposure of 360° shutter at f4.0 at ISO800 (UHD 25fps) – our 0 stops under baseline (internal noise reduction “off” for all tests). Découvrez le Canon EOS C500 Mark II, le système Cinema EOS nouvelle génération équipé d'un capteur plein format 5,9K. Shortly after the publication of our Canon C500 Mark II lab test last week, we learned that we will gain early access to a pre-production Canon C300 Mark III in our headquarters in Vienna. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). 4: base exposure of our studio scene for the Canon C500 Mark II, using CLOG2 with the internal XF-AVC 10bit codec at ISO800. Canon EOS C500 - IDIFF Salon de l'image animée - … The Canon C500 Mark II Camera provides great support for optional interchangeable lens mounts for different project requirements. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. Deux logements de carte CFexpress. Seems like we are jumping from one fantastic result to the next – the rolling shutter at 6K RAW (5952×3140, 17:9) comes in at a strong 15.8ms – see figure 3 below. Filmmaker Brett Danton. Latitude is the capability of a camera to retain detail and colors while over- or underexposing the image. Advertisement. Interesting that you mention this noise reduction difficulty with the RAW files, I had a very similar experience and thought – a manufacturer’s “sensor noise footprint” which you could use in Resolve to make this easier. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). Can’t wait! 6: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Passionate shooter who isn't doing this for a living. Oh, great to hear – you won’t be disappointed by your new baby! Why? This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. He also gave props to the fact that the Canon had internal ND filters and doesn’t need to be built out as much. This is the best result we have measured on a full frame sensor so far! Just so I understand you, EF lenses are brilliant when you need a Canon adapter but hobbling when you don’t. and could never get clips as noise free in Resolve or Final Cut Pro without losing detail as the built in H.265/H.264 files. Will it take the crown in our lab tests? Fig. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. Is it more close to the C200, C500 Mark III or is it an upgraded version of the mighty C300 mark II? No camera so far has survived this torture test. Could you guys do a cumulative chart of all of the cameras you’ve tested thus far for DR and Rolling Shutter (ms)? For full frame sensors we haven’t seen a value below 20ms yet, 22ms was quite good already (e.g. Plus you should make the list of links to all your tests and results easier to reach because they are extremely thorough and useful and now they are spread over the years. This result comes directly behind the ARRI Alexa (14 stops), and is the second-highest value we measured so far – pushing the Panasonic S1H (12.7 stops) from the second to third place! Thanks Rick. Then, in post production (using DaVinci Resolve 16.1 studio) we push the underexposed images back to the 0 exposure value. MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, Top 10 NikonRumors posts for November 2020, Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Will the Canon EOS R5s come with a pixel shift like feature? Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter. The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. Noise kicks in but it stays finely dispersed – using noise reduction in DaVinci Resolve (3 frames temporal, 5 threshold value and 4 spatial threshold) it cleans up very well. Read our full Privacy Policy here. Canon sells the following two adapters, both with shim kits: 1. La Canon EOS C500 Mark II est une caméra compacte et polyvalente équipée d’un capteur type plein format 5,9k et du processeur DIGIC DV 7. Any tools to cut through the hype will always be welcomed. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. Which led me to think – does all in camera noise reduction inherently look better than using a NLE program since the NR algorithm is searching for a specific fixed noise pattern from a sensor’s circuitry versus a universal one? © 2020 All rights reserved. Also here, using the internal 6K RAW results in much noisier images than the internal 10bit XF-AVC provides, so in order to have a better “out of the box” baseline when comparing these images to previous cameras, I decided to show you the internal XF-AVC 10bit images. Camera News. Using our strobe light at 300Hz, we get a sequence of black and white bars due to the nature of read out of CMOS sensors. Report. The C500 Mark II clearly sets the benchmark for 2020 so far in our testing using a 6K Full frame sensor. Dear Jamie, see Johnnie’s comment above – we are working on this. Can the Canon C500 Mark II really Compete with RED & ARRI Cinema Cameras_ carlosq00. Type. Would love to see the latest and greatest Arri results as that should be the gold standard. I know many existing workflows are not using RF, but Canon’s own brilliant RF to EF adaptors solve 99% of these issues. Should you opt for a locking mount? Colombo thought that the footage showed off the slight difference in dynamic range between the cameras, with the Canon C500 Mark II doing a better job with a bit more details in the shadows. B4 mount lens via adapter accessory (EF or PL) Lens Magnification factor (for EF Mount lenses, including Cinema Primes) Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080: … You mean something like this https://www.slashcam.de/4K-Kamera-Vergleich.html, Hi Nick.We are working on this. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. 9: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. No Reds tested yet? Cut my teeth on the Panasonic GH series, always looking to keep the gear as small as possible on my travels through the world, where I am telling cinematic stories as a hobby. Dear Luka, no, we have not tested this. The dynamic range is crazy, over 15 stops for sure. Secondly, the larger sensor … The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of … Fig. And the Canon C500 Mark II does not disappoint – the results is almost perfect: very little noise is present, more as a fine grain which looks very good. The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Fig. Fichier RAW efficace sur CFexpress. The Nikon F6 film SLR camera is now officially discontinued, FilmConvert Releases Sony a7S III Camera Pack for Fast Film Stock Emulation, Stock Notice: Canon RF 85mm f/2 Macro IS STM in stock at Adorama, TDM Audio Pro UVC Case Disinfects Your Microphones, Today only: Save on the MFT Auto Extension Tube Set and Atomos SSD. Even when the second best option is selected, the internal XF-AVC 10bit codec, the results are still fantastic (internal 6K 12 bit raw requires more post processing). Really like Canon color science. You are right, we should try to get one of the latest Arri cameras in the lab. Using the Canon EOS C500 Mark II instead of the larger EOS C700 FF also meant the camera could be rigged up with monitors and follow-focus rigs, or stripped back to make it as light and compact as possible for use on a drone or gimbal. So without further delay lets jump right into the lab test … Dynamic Range Result of the Canon C500 Mark II at ISO 800 Please have a look at how we test dynamic range of cameras here. RED Dragon vs Canon C500 Test. But, five days is more than enough time to realize the Canon C500 Mark II is a beautiful camera capable of so much more than just helping craft a … The chart consists of gray patches that show a well-defined and regularly re-measured luminance (in unit cd/m2). Image plein format immersive pour une reproduction fidèle des couleurs. What are your experiences with the Canon C500 Mark II so far? Canon EF Mount. Image Engineering (IE) uses a special transparent test target to measure dynamic range. 4K 4:2:2 10 bits. Advertisement. Considering the BM12K (looks like better color now) or the Canon C500 MII once it is discounted. Very noisy, and horizontal as well as vertical stripes start to appear. Thanks. Please have a look at how we test dynamic range of cameras here. 8:09. Retour à la présentation du produit. However, the information we’ve received about this camera contradicts what we were told previously. The dynamic range of the C500 Mark II with the internal 10-bit XF-AVC codec at UHD 25fps with Canon Log2 / C.Gamut (color matrix "Neutral") is very strong 13.1 stops With a signal-to-noise ratio of 2, see Figure 1 below (noise reduction "off"). With a dynamic range of 15+ stops using Canon Log 2, and the option of recording in either Cinema RAW Light or Canon's XF-AVC format, the Canon EOS C500 Mark II captures footage that can be successfully put through such a workflow, be that in PQ or HLG. Is there a test like this with the Varicam LT?? 7: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. September 24 th, 2015. Published By: CineD - Wednesday, 15 April, 2020, Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter, Olympus Germany managers says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video, Olympus Germany manager says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video. And if so would it be possible to have in practice a Noise Reduction ‘LUT’ so to speak from manufacturers? +1 for Ryan and FX9. The standard EF mount is non-locking. Still almost perfect. There's a lot of chatter about the dynamic range on the Canon EOS 6D Mark II but I thought I'd go do a bit of research and see what some of the folks I respect who do camera reviews have had to say about the Canon EOS 6D Mark II dynamic range. Capteur CMOS plein format 5,9K. From Dave’s tests, I couldn’t see any noticeable improvement in highlight protection, but it does appear to have slightly better highlight roll-off than the C500 Mark II. The Canon C500 Mark II. Let’s jump ahead and have a look at the image which is 3 stops underexposed, and pushed back in post – remember, this is the point where most of the previously tested cameras start to fall apart: Fig. Two weeks ago Canon Philippines lent us the brand new Canon C500 Mark II, here are some images we filmed one afternoon with the camera. Dynamic Range. As ususal, we exposed Nino’s face at max. Canon EOS R5 Overheating … Using noise reduction in DaVinci Resolve (3 frames temporal, 15 threshold value and 5 spatial threshold) it cleans up OK – still noticeable are vertical and horizontal stripes, but you could get away with this image. Very usable still. After a week with the 1D X I noticed just how noisy the RAW footage is (and how clean compressed is!) I would be curious to see some independent test. 5: The Canon C500 Mark II at 3 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Well, I did. Read on … A lot has been said and done on the Canon C500 Mark II already, for example by my colleagues Nino or Ollie here or here. I use the Original Canon C500 with the CD raw recorder/monitor and have been happy with results. 3: Canon C500 Mark II rolling shutter for 17:9 5952×3140: very good 15.8ms are measured. The analysis consists of checking how the camera renders the gray patches. But yes, the assumption is correct, rolling shutter should be significantly better in Super 35 mode. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. This flexible design can be configured according to the shooting and equipment requirements, right down to the lens mount – which can be changed between EF, PL or EF Cinema Lock without the need of converting by a service center. Most interesting about this test was the fact that according to our own parameters the dynamic range was closer to 12 stops, while Canon markets 15-stops of dynamic range … The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. 7:00. Thank you Dr. for the results! 5 years ago | 15 views. Because they want to sell you $5000 cinema lenses. Finally, we are reaching now the 5 stops of underexposure. It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. And also Mini LF and especially Monstro would be really interessant see in comparison! Consultez notre site Web pour découvrir notre gamme de caméscopes. Read more Lab Tests. Also would like to see the new BM12K when you can get one. 1: IMATEST dynamic range result for the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 The waveform of the Xyla21 stepchart confirms this: Fig. Follow. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, TDM Audio Pro UVC Case Disinfects Your Microphones, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, https://www.slashcam.de/4K-Kamera-Vergleich.html. From there we successively underexpose the studio scene by increasing the shutter speed to 180°, 90°, 45°, 22.5° and finally 11.25° (5 stops underexposure). That’s where lab testing is really helping. Fig. URSA Mini Pro 4.6K G2 vs. G1 Dynamic Range and Latitude Test January 9 th, 2020 fiber_manual_recordGunther Machu 36. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". Canon C300 Mark II Lab Test – Dynamic Range 2 Stops Less Than Expected. This result comes directly behind the ARRI Alexa (14 stops), and is the second-highest value we measured so far – pushing the Panasonic S1H (12.7 stops) from the second to third place! It would be nice to have a dedicated section where we can just go to and reference at any time. In addition, the newly introduced DIGIC DV 7 image processor allows for more fluid and efficient recording of 4K and HDR. This test reveals a lot of insight about how well a camera (and the used codec) retains colors and detail. It is hard to define this cinema camera. Mine was delivered right before the Covid lockdown, so it’s great to know I have a top notch, fantastic camera to offer my clients once we all get back to work. Check out the BTS clip: Step 12 looks even less useful and the half stop of 13 is not use able. Canon Log 2: 1600% / 15+ stops Canon Log 3: 1600% / 14 stops Wide DR: 800% (at ISO 400) Image Processor. EF locking (CM-V1) 2. B4 mou… Surprisingly, using noise reduction in post production leads to an image you may still get away with – noise is rather finely dispersed and not too distracting (however, faint horizontal and vertical stripes are appearing) – see figure 9 below: Fig. If you’re using cine lenses or heavier zoom lenses then definitely yes. Lens Mount. In addition, the internal XF-AVC encoder manages to encode the noise as finely dispersed grain, hence you can add noise reduction in post production and you get a very usable image – for examplethe noise in the lower right hand side of figure 6 cleans up well – see figure 7: Fig. Browse more videos. Also own the BM4KPC (global shutter is nice) and BMCC 1080P but it is very difficult to blend the early BM cameras with the Canon. If you’re just using Canon still lenses then probably not.

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