fuji x h1 review 2019
For example, in these portraits of Harry using the XF 90mm, the X-H1 regularly flipped in and out of face detection and only rarely engaged eye-detection, forcing me to disable the feature and simply select a single area instead. It’s definitely a very unique shutter sound, unlike anything I’ve used before (Pen-F, Sony A7R, Fuji X100S, Fuji X-Pro1 and 2, Nikon Df/D800/D300/D3s and Canon 5d MK-something). When you first fire-up the app, it encourages you to pair the camera and phone over Bluetooth, a process that went smoothly for me, but it didn’t subsequently make the Wifi connection as easy as rivals with Bluetooth. Interestingly though, the camera became hotter by the end (despite starting from fully cooled-down), perhaps due to the heavier compression in use, but again it didn’t actually overheat. The X-H1 employs the same 24 Megapixel APSC X-Trans III sensor as most of the bodies in the current X-series line-up, but is the first to stabilize it within the body; Fuji claims this new 5-axis system delivers up to five stops of compensation. As you’ll see, the Multi metering mode does a good job at evaluating the majority of the subjects I pointed the camera at, and I only needed to intervene for my long exposures or shots of distant birds against a bright sky. The Fujifilm X-H1 marks the latest release in the X series of mirrorless digital cameras.Initially released spring 2018, it man’s the helms as the current flagship line for the camera maker with a 24.3-megapixel X-Trans III APS-C sensor and 5-axis image stabilization. Since it’s a dot matrix LCD, you could in theory display anything and I think it’d be fun to be able to upload custom graphics, like a logo, for display on startup. The remaining models offer gradually less: the XF 55-200mm delivers 4.5 stops, the XF 18-55mm 3.5 stops, the XC 16-50mm and XC 50-230mm both three stops, leaving the XF 10-24mm with 2.5 stops, implying its design mostly uses the optical stabilisation alone. I have several other versions available: Fujifilm X-H1 C4k F-Log sample movie, Fujifilm X-H1 4k UHD sample movie, Fujifilm X-H1 1080p sample movie. By sharing the same sensor as the X-T2, the core capabilities are the same, although Fujifilm has enhanced a number of aspects. It’ll stay focused on a subject at 8 to 14fps and at long focal lengths, although for the best success you’ll be using a smaller AF region, and for ease of tracking you’ll want the slower burst speeds with feedback. Older: X-T3 X-T2 X-T20 X-Pro2 X-T100 . It’s that good. Above: Fujifilm X-H1 Eterna Film Simulation, Above: Portrait processed in-camera using, from left to right, Provia, Pro Neg Hi and Pro Neg Standard. I’ve been shooting with the X-H1 over an extended period, so read on for my in-depth review, comparing it to key rivals and other bodies in the X-series. Here’s how the coverage looks when mounted on an X-series body. You also can’t change the image quality or the exposure compensation remotely, although the current setting for each is shown on your device. Having three batteries certainly makes power worries a non-issue, but makes an already fairly large camera even bigger, not to mention more expensive. Conversely the smaller lenses, like the XF 35mm f2, look slightly out of proportion on the X-H1. Fujifilm X-H1 still good even 1 year later, review March 2019 Above: Fujifilm X-H1 and XF 90mm at 1/5. After the second clip, the base and grip were a little warmer still, but still far from hot and the battery indicated three bars remaining. Set the shutter dial to A, but turn the aperture ring and you’ll be in Aperture Priority. While the X-H1 is classed in the mirrorless bracket, its design and feel is certainly akin to that of a premium DSLR. Being a mirrorless camera, the X-H1 is still both compact and lightweight, although it wouldn’t go on the list of the most compact mirrorless cameras ever. Sadly the cross keys remain unnecessarily small though, especially given the larger real-estate of the rear panel. Throughout my tests with unstabilised lenses on the X-H1, I experienced similar results: typically a reliable three stops of compensation, or in some instances a little more. Note in the absence of a dedicated movie record button, you’ll be using the shutter release to start and stop movie recordings. Bucking the trend for remote control apps, the choice of quality is actually set within the camera, not the app – you can choose the original image size or a reduced one at 3 Megapixels. The final option on the Drive mode dial is Panorama. It was a camera that nobody asked for, but everyone could see and appreciate what Fujifilm was trying to do. To test the effectiveness of the built-in stabilisation for stills with the XF 16-55mm f2.8 lens, I set it to 55mm (83mm equivalent) and shot a sequence of inages with progressively slower shutter speeds, first without stabilisation enabled, then with it working in continuous mode; as with all stabilised systems, I allowed it to settle-down for a second or so with a half-press before pressing fully to capture the shot. The EVF is amazing and ahead of the X-Pro2. Bluetooth on those models also take care of the Wifi connection for you, so there’s no need to access any other menus in the camera or phone, they just connect. If you don’t like the shots as you take them, you have the chance to retry, but other than that there’s no other options. There’s sadly no zebra patterns, nor indication of blown highlights or crushed shadows when filming, although manual focus fans will appreciate the chance to display focus peaking as well as exploiting the extra detail of the viewfinder to nail the exact position. Disappointingly despite its substantially enlarged grip, Fujifilm continues to power the X-H1 with the same compact NP-W126S battery of the X-T2, itself just a modified version of the X-T1’s old battery pack to better handle over-heating with 4k video. To be fair, they’re not immune to this effect either, but I noticed it a lot less in my tests with them. Like the viewfinder, the shooting information cleverly rotates to remain upright. No need to do anything other than make the initial pairing before then leaving the app running on the phone. So while Fujifilm quotes both slots as being UHS-II compatible, in my own tests I found Slot-1 was a little quicker to flush large bursts. The 16-55mm f/2.8 still delivers quite a bit of a smooth bokeh. Meanwhile the Multiple Exposure option lets you take two shots and have the camera combine them into one. But again the experience on the X-H1 was transformational for me when shooting with the longer unstabilised lenses. Here’s an example. Fujifilm reckons the battery is good for about 310 frames, but enable the built-in image stabilisation, deploy the wireless connectivity or start shooting movies and you’ll find the power depleting quite alarmingly. After an initial struggle in sales, a price cut in 2019 gave it a second boost. The X-H1 also inherits the Grain simulations introduced on the X-Pro2, with a weak and strong option to choose from and, like film simulations, you can apply these to RAW files after the event using the in-camera processing. I’d say I was getting at least three stops of compensation in this particular example, or a little more if you didn’t mind some very minor shake. It’s also possible to customize what information is displayed for still photos and the movie mode. Fujifilm has once again revolutionized the X-series with its latest release, the Fujifilm X-H1.Since its humble beginnings with the original X100 and X-Pro1, Fuji … Sometimes it would detect a face, but at other times just lose it. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. With the AF area set to Zone or Single Point though, the X-H1 felt much more confident. Simply the best Fuji ever made. Check out my Best Fujifilm lenses guide for the models I’ve tested and can personally recommend. This mode simulates cinematic film, creating understated colors and rich shadow tones, greatly enhancing creative freedom during post-processing. Finally! Read our full review of the new Fujifilm X-H1, Fujifilm's flagship X series camera, with 5-axis Image Stabilisation, and CINE 4K video recording. Below you can see the front view size comparison of Fujifilm X-T3 and Fujifilm X-H1. With the card inserted in Slot-1, a burst of 28 uncompressed RAW files took 7.47 seconds to finish writing to the card. The chunky grip is also the largest in the X series to date, and swaps the exposure compensation dial for the customizable LCD panel of the GFX medium format body. This in turn could explain the differences in compensation between lenses – perhaps the system deliberately reigns itself in when the imaging circle on a certain model is tight with little breathing space beyond. You can also deploy the entire sequence with a self-timer, after which it’ll capture all the frames without intervention. Unlike some timers though, there doesn’t appear to be any restriction in the shutter speeds you can use at short intervals: I was able to shoot half second exposures at one second intervals for example without an issue. So the X-H1, like the X-T2 before it, is certainly capable of capturing fast action. This is a frustrating limitation inherited from earlier models and something that really should be fixed by now. One thing to note: The autofocus of the X-H1 is faster than the X-Pro2 and the sensor, even tho it is the same on paper, does better at high iso. So while the X-H1 didn’t overheat even when filming 4k / 24p at 100 or 200Mbit/s with stabilisation active, it still only managed just under 49 minutes worth of video at 200Mbit/s or 52 minutes at 100Mbit/s on a single charge, and in 15 minute chunks too. The grip also provides a headphone jack and an AC input for use with an AC adapter supplied with it; this allows you to power the X-H1 from the mains, and when the camera’s switched off it’ll also charge the two batteries in the grip, albeit sadly not the one in the camera body itself. Then there’s Nikon’s D500 which feels supremely confident for shooting action, especially if its unpredictable. There’s four options on the X-H1: Spot (2% of the total are in the centre), Center-weighted, Multi and Average. The third option is Browse Camera, which presents exactly the same thumbnail view as tapping play in the Remote Control option described earlier. If the subject is fairly predictable, like an approaching cyclist on a track, the X-H1 has no problems at all, even at 400mm (600mm equivalent). Regular readers of Cameralabs may remember Fujifilm previously stated sensor-shift stabilisation wouldn’t be possible due to the tight constraints of the X-series’ imaging circle. If you’re looking for a high-end mirrorless camera, you’ve come to the right place! Set to uncompressed RAW, I managed 22 frames in 2.74 seconds for a speed of 8.03fps. Switch to 1080p and you can film 20 minute clips with the X-H1 body alone versus 15 minutes on the X-T2. The only issue I faced was when shooting with a zoned area, the X-H1 sometimes focused on his body rather than his face, resulting in some shots being a tad soft, but the fast bursts meant I had plenty of frames to choose from. It’s like Leica-quiet. In terms of exposure, you can manually set the aperture, shutter and ISO, and if desired, shoot with auto ISO when the shutter and aperture are fixed and effectively in manual mode. Disclaimer 1: All the images in this review have been shot on a prototype X-H1. Fujifilm’s Camera Remote app is available for iOS and Android devices and I tried the latter (v18.104.22.168) on my Samsung Galaxy S7 phone. The first X-series camera with in-body image stabilization, it offers several major upgrades from the X-T2, including more extensive video options, flicker reduction mode, electronic shutter, improved AF performance, and a higher-resolution EVF. 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