outkast best songs
But then the hook comes: Sasha died behind a school “with a needle in her arm, baby two months due.” Maybe there’s a lesson. Big Boi and Andre 3000 are back. One of the great tragedies of 2000s hip-hop is that we never got a solo André record—or at least one where he was truly rapping. Top 15 OutKast Songs OutKast : one of the most critically acclaimed AND commercially successful duo in Hip Hop ever, with enduring Hip Hop credibility and massive mainstream appeal at the same time. rap songs that story tell are great on its own but no one can do it better then outkast and the creativity and great lyrics makes it the best outkast song in my opinion. ... Hey Ya is the song for which OutKast are best known. —Peters, There is something immensely haunting about “Da Art of Storytellin’ (Part 1)”—the synth that croons in the background like the opening to a sci-fi anthology series, the patter of bongos that rattles off every few seconds. —Charles Holmes, In 2003, The Love Below was the toast of critics. Last February, just before his 78th birthday, George Clinton talked about adaptability as the trick to timelessness. Year-End Hot 100 Songs; Year-End Billboard 200 Albums; 2020 Year-End Boxscore; Google's Top Hummed Songs 2020; All Year-End Charts; DECADE-END . I’m very stankful for that. Here, we want to celebrate the best songs in the Outkast discography (yes, we even accounted for the solo songs recorded for Speakerboxxx/The Love Below). But when they called their shot in 1994, they didn’t know what that future held, just that they needed to get there. The line that always sticks with me, however, comes in the front half of his 1:40-long verse: “It’s easier to run the street than walk in the sand.” For André, dropping a solo rap LP would’ve been the easy part. Big Boi leads with the ballad of a woman named Suzy Skrew. He shines, rapping over a million horns, and gets to do it for just about a whole album. 2) “Spottieottiedopalicious” One of the best songs ever period. So there’s always that tricky history that you have to work your way through whenever you’re talking about this song. —Keith Fujimoto. For-ever-ever?”) to Big Boi’s brash defiance, echoing one of Badu’s biggest hits in his climactic verse that hits like a ton of bricks (“You keep on singin’ the same song / Let bygones be bygones, and you can go on and get the hell on / You and your mama”) even if you’ve heard this song a trillion times. And with the emergence of new competitors—Lil Wayne, T.I., Jeezy—André grew emboldened with the spirit of respectability politics and internal rhyme. That fierce, false insistence that alone, you are enough. And it’s fucking unstoppable. They would satirize this on an Aquemini sketch, when a former fan tells a record store owner, “At first they were some pimps, man, but then they some aliens, or some genies or some shit. The catalyst for this antagonistic tournament, you ask? Each rapper glitters individually, but they become more fascinating when juxtaposed with each other. Or the thinker? It’s just a story after all. —Sayles, Like many other Outkast songs, the indisputable grooviness of “Wheelz of Steel”—which emanates from the Focus III–sampled beat, infectious hook, and unfaltering flows—can easily engulf Big Boi and André’s wisdom. Outkast recorded demos at the studio, and Organized Noize member Ray Murray helped Big Boi, whose strength lay in songwriting, develop his rapping skills. The other started breeding pit bulls. They hide from the Red Dog Unit (a now disbanded paramilitary division of the Atlanta Police Department), buy a second Cadillac Fleetwood, and vow never to give in, “till that big girl from Decatur sing.”, OutKast and co. tell the story by overlapping sentences and rephrasing thoughts, which heightens the present-tense immediacy of the song. As a result, the track becomes a competition between the two wordsmiths, with Big Boi using his southern game to lick his SpottieOttieDopaliscious angel like a lizard at the Honeycomb Hideout and André using his Funkadelic aura to prove to his queen that “the boy next door’s a freak.” The result is one of the best tracks in music and the soundtrack to the beginning of a great night. Jackson”—I wasn’t 10 years old when the album came out, but can clearly recall football pads paired with vaquero chaps, Sleepy Brown in a fur coat, and nodding house pets. While particular genres might dramatize romance at the behest of an available mood, OutKast has grown and grown and grown beyond that, into a level of hardness that is actually quite sad: one that rejects the possibility of love, yet bows to every move of the opposite sex. —Sayles, I’ve long assumed that there was some critical malfunction at the CD factory that resulted in hundreds of thousands of consumers receiving Stankonia copies without “Red Velvet,” which thus resulted in the perennial arguments about Big Boi being a second-rate rapper compared to André 3000. “I apologize a trillion times,” concludes the pop-supernova chorus to Outkast’s first no. “Sasha Thumper,” a childhood crush, who just wanted to be “alive,” but of course, life got in the way. Download Hungama Music app to get access to unlimited free songs, free movies, latest music videos, online radio, new TV shows and much more at … But in its sad, stuck, recurring harmonies, it had become what it remains in Big Boi’s work now: hard — not just any will, but the determination that gets you out of bed after a breakup, or on the dance floor without a date. Best Outkast Songs of All Time – Top 10 Tracks. As Andre implores his subject to, “Dance on the tip of my tongue/ Shake the clouds until there’s no more wetness in them,” I’m right there, unfortunately, fighting off the shivers. —Serrano, So much of Outkast’s mythos, from the namesake of the group to their sophomore album, is based in physical and more meta geography. OutKast have never culled “a little bit of this, a little bit of that.” From the lush studio instrumentation (first pioneered in Southern rap by their producers, Organized Noize) to the committed, heretical shamelessness of their beats, Andre 3000 and Big Boi have always explored music-making unapologetically, at the risk of radically revising their sound despite its positive reception. Between 2006 and 2007, André was employing a scorched-earth policy, dominating on every rap verse he delivered. (And in one extraordinary case, it includes a Dre and Big Boi guest spot that’s too iconic not to account for.) Forget New York; forget L.A.; ATL won this day. It’s not an aggressive drop, but it’s explosive, immediately transforming the track from a head nodder to an ass shaker. If “West Savannah” is Big Boi’s firstborn, dedicated to his roots “way before” he “started rapping,” “Slump” is his second child, written in honor of the hustle he knows all too well. One of the funniest things that happens in a rap song is when the rapping ceases to be athletic, or spirited, and just begins to sound … kind of angry, like a scolding. It’s pure adrenaline and maximalism. Big Boi’s verses juggle objects from “canary yellow ’79 Seville”s and “Monte Carlos” to “YKK” zippers and “gator belts” amidst a panoply of drugs and drinks. But they also had the burden of carrying a region not yet primed to run music and the reputation that they’ve ascended past their childhood peers back home. As André 3000 aptly stated in this song,“You are now about entering the fifth dimension of ascension.” This song truly isn’t from this planet and it’s evident from the gritty guitar riffs that immediately hit your ear, and 3 Stacks’ intro: “Woo, woo Yosky-wosky, peesky-weesky, What’cha wanna do-ski?”, Outkast makes it clear that what you’re hearing is alien-like, and that sound would extend to their critically acclaimed follow-up album, Stankonia. But on “Skew It on the Bar-B,” the Chef definitely didn’t seem out of his element surrounded by some ATLiens. Writing about Outkast is hard.) The Number Ones: Huey Lewis And The News’ “Stuck With You”, The Number Ones: Berlin’s “Take My Breath Away”, The Number Ones: Janet Jackson’s “When I Think Of You”, Ariel Pink & John Maus Attended Trump’s Rally In Washington, The Long Winters’ John Roderick Apologizes For Becoming “Bean Dad”. It was a decade removed from André’s prediction that the South would transform into a critical and commercial behemoth. It does not avoid borrowing from the sorts of old-timey music you might hear at a wedding, for example. Starting with Southernplayalisticadillacmuzik, when they presented themselves to the world as conscious pimps, the duo made clear they wanted to break the mold. But as ATLiens’ “Mainstream” suggests, “everything ain’t always peaches and cream,” especially when one is on the ascent. “New York–wannabe-ism,” Killer Mike recalls. It characterizes the extractive relationship between artist and audience in kinda horror-film terms. —Murdock. Really, you can. Sonically, “Gasoline Dreams” is akin to the gates of hell opening as André’s yelp about losing balance converges with wailing guitars. But at the same time, all of the things that make Outkast great—stunning creativity, the rejection of genre boundaries, and a unique knack for careful, perceptive thinking—are present in “Hey Ya!” So shake it. It’s an announcement. Yet, when “Ms. So, while we and Questlove wait, here are 10 songs that best showcase why this duo is one of the greatest. Though much has been made of the racial undertones associated with alienhood, ATLiens sounds more immediately like a rumination on the South. Can’t you just imagine a Blumhouse poster with the words “The whole world loves it when you sing the blues” and no further context haunting the rest of your day? So don’t get caught up in appearance —Holmes, “SpottieOttieDopaliscious” is the clearest hint that Outkast hails from a state with excellent marching bands. Speakerboxxx/The Love Below (2003) 3. We talk about genreless music a lot today. The song broke barriers and challenged what constituted hip-hop music. And yet the song’s message is somehow even darker and more existential than all of these details let on. It builds a stage on which André plays eight different Beatles-like musicians. It confirms that the only thing cooler than being cool is ICE COLD. Their most well-known song “Ms. In fact, there are some solid arguments against “B.O.B.” as the best ’Kast song: It lacks the finesse of much of their best work; it tries to do a lot; it’s not even close to their biggest hit; if you remove André and Big Boi’s vocals, it’s not even a rap song. Your cape-and-cane Aquemini aficionado might want to slow down the frenetic gun battle that is Stankonia. In short, it’s Outkast doing the absolute most, and we couldn’t ask for anything more. Music, Film, TV and Political News Coverage. The official online store of the legendary hip hop duo Outkast. But Sleepy Brown’s stupendously chill chorus (love the whispered “It’s the master plan!”) is all you really need to know about both the problem and the solution. I ain’t fuckin’ with that no mo’.” But even if they felt it, it didn’t deter them. There were bigger songs like that on Stankonia, like “So Fresh, So Clean,” “B.O.B.,” and “Ms. Along with the production crew “Unhappy” itself pushes us to move forward, but is itself fairly bleak; Big Boi only slows down while rhyming to offer the consolation that, despite the troubled upbringing, at least “we got that hot sauce!”. The track is exactly what it claims to be: an exhibition in the art of storytelling. (“Roses really smell like poo-poo-ooh!”) And especially the meter-smashing way André 3000 barrels through the second verse: “I hope she’s speedin’ on the way to the club tryna hurry up to get to a baller or singer or somebody like that and try to put on her makeup in the mirror and crash, crash, craaaaaash into a ditch.” Harsh. —Jonathan Kermah, ATLiens is an album about a group on the rise, and “13th Floor/Growing Old,” the album’s final track, shows the responsibility that comes with ascent. Undeniably catchy, cleverly subversive, and unexpectedly profound, it asks what keeps people together—and it also asks “all Beyoncés and Lucy Lius” to get on the floor. ATLiens is considered by many as OutKast’s best album, not just musically, but conceptually, and it is the most cohesive album that they have in their discography. Big Boi remembers the first time he heard André messing around with the skeleton of the song. Aquemini (1998) 4. OutKast is an American hip hop duo formed in 1992 in East Point, Georgia, and comprised of Andre 3000 and Big Boi. It gets in your head and your bones and never leaves. The silly sing-along profundity of that chorus. Over a four-minute stretch, Big Boi sets the André-produced beat ablaze. “Humble Mumble” starts out serene and beautiful, a gentle African rhythm pulling at a beautiful soundscape, as André and Erykah share the chorus. ... It’s another sad love song from OutKast, but this solo effort from André 3000 possessed the verve of a '60s pop song. Over 20 years after it was released, the song’s lyrics and themes still resonate, and it remains a standout in Outkast’s extensive and stylistically diverse catalogue. —Pryor. The song’s new hook and slowed-down beat gives it a more R&B feel, which is better fit for the radio. Stankonia (2000) 2. Rap, particularly from the South, plays host to masculine bravado more often than not. The following is a list of songs recorded by the American hip hop duo OutKast. It’s hard to remember now how rigid genre divides were in the ’90s, and that’s because of Outkast. For a period that stretches roughly from 2007 to 2013, 3 Stacks blessed a long list of other artists’ records, twisting syllables and dropping gems in a way that surpassed even some of his best Outkast verses. By 2000, Outkast was as American as flammable liquids and fruit-filled pastry, but the group’s magnum opus, Stankonia, felt indebted to a creeping realization. —Peters, In this Southernplayalistic B-side that made its way onto the legendary New Jersey Drive soundtrack, Outkast momentarily betrayed their loyalty to Sevilles and El Dorados and declared, plainly, “Either want a Benz or a Beamer.” With a track that sounds this good, the fine folks at Cadillac likely had a hard time feeling hurt. —Gruttadaro, “The South got something to say”: in retrospect, André’s speech at the 1995 Source Awards in Manhattan pits Outkast against New York. And yet, if you weren’t to watch the video—if you were to watch the video—that factoid would be pretty easy to forget. His appearances on UNK’s “Walk It Out,” Rich Boy’s “Throw Some D’s” and UGK’s “International Players Anthem (I Choose You)” were etched into legendary stone the minute they hit the airwaves. Though Idlewild, a quasi-soundtrack to the duo’s film of the same name, champions studio mastery at a level unexplored by the group, it splashes too happily through an ocean of studio sound effects, employing delectable drum samples, marching bands, and a symphony of special guests. Where rappers in New York might have been waxing Five Percenter ideology or talking Back-to-Africa, Big Boi chastises irresponsible young rappers (“Let your paper stack instead of going into overkill/ Pay your fuckin’ beeper bill, bitch”) while Andre despondently warns, “Even the sun goes down/ heroes eventually die.”. “B.O.B.” is an expansive, articulate middle finger to the structural and temporal expectations of rap music — way too fast and way too multifarious for any white-bread rapper to begin thinking about accompanying. In combination, “Git Up, Git Out” strikes the balance between preachy and unbelievable. Occasionally, however, the result can be wonderful and complex: the Beastie Boys’ “Paul Revere,” A Tribe Called Quest’s “I Left My Wallet In El Segundo,” and De La Soul’s “Jenifa Taught Me” all exceed the limitations of a storytelling structure, and “Decatur Psalm” doesn’t falter as it draws from gospel and the Commodores to evoke a Southern dirge. But Outkast was no island—peninsula, maybe—and their connection with another perfectly paired Southern duo was too iconic to leave off. —Rob Harvilla, André’s verse on “Ms. You have to know that in order to understand the biggest reason why this song is great, which is that it announced to everyone that if we really were headed toward an eventual dissolution of Outkast, which was a big rumor during this particular period of time, Big Boi, who’d largely been underestimated almost by default because of André 3000’s overpowering coolness, was going to be just fine. Because they’re Outkast. “It’s like the room started glowing. All he wants is for the population to smell the damn Folgers, and never forget that when Antwan André Patton brings food for thought to the table, you eat! The vibes are laid down by Sleepy Brown on the chorus and enhanced by Big Boi and 3 Stacks. —Harvilla. It’s like watching a switch hitter slug a HR from each side of the plate, if done effectively. It’s no wonder that the entries to this series of lyrical explorations would lead to moody edits on YouTube with animated action cartoons—“Da Art of Storytellin’” falls into a subcategory, along with “SpottieOttieDopaliscious,” of Outkast Songs That You Have to Read. —Sayles, Amid all the humid, luxuriant funk of Southernplayalisticadillacmuzik, what strikes you first about “Hootie Hoo” is how chilly and stark and ominous it is: a menacingly minimalist bass line, a pristine drum break from Black Sabbath’s “Behind the Wall of Sleep,” and a childlike falsetto chant (Hootie hoo!) So it was shocking when she appeared as a guest—and on one of Stankonia’s best songs, nonetheless. If you turned over, would the person you saw be someone you could truly spend the apocalypse with? , rapping over a million horns, and Big Boi opens the talks calling! February, just before his 78th birthday, George Clinton talked about adaptability as final... Storytelling Tracks deal with personal struggles, too were already wary, eager to get out slow the... Instead, they were just 19 years old, Fresh out of school... That tricky history that you have to Love a song about hyperviolence that samples Miles Davis summation, Atlanta..., 3000 was perturbed that no one liked his sartorial choices most gloriously frigid songs hailing Atlanta... To shine veered away from realism s Outkast doing the absolute most, and lyrics him into the with... Family kin Backbone and cool Breeze, the best place to download latest songs by Outkast matter to. 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